Jazz Guitar scales

Typically, the artist relies on their knowledge of the scales as a raw material for soloing. The player to know at least one scale for major, minor and dominant dominant. Most commonly used scales (flatted notes are counted from the major scale):

Chord.................................The Scale Of

The main chord ... ... ... ... ... ... ... ... Scale

Minor chord ... ... ... ... ... ... ... ... melodic minor (the tonic chords)

Minor chord ... ... ... ... ... ... ... ...Dorian scale ...(b3, b7)

Minor chord ... ... ... ... ... ... ... ...Aeolian scale ...(b3, b6, b7)

Dominant seventh chord.Scale of the Mixolydian mode.(b7)

dominant 7Th chord ... ... ... ... minor scale to b7

Dominant seventh chord ... ... ... ... diminished scale Deputy half notes and whole tones, ranging from the mid tone

Dominant seventh chord ... ... ... ... changes the scale of b2, b3, b5, nat 3, b6, b7

Dominant seventh chord ... ... ... ... the whole ... tons of whole steps

Decreased to half the chord before .........Locrian scale ... b2, b3, b5, b6, b7

It should be noted that the modal scales (Dorian, Lydian, Mixolydian mode, Eolskich, Phrygian and Locrian) are simply inversions greater scale. For example, the c major scale, which uses its second tone d as the tonic scale becomes D Dorian. When the player is fluent in playing scales, should the practice of improvising the melody using one scale and its associated arpeggio (chord sounds single lines). Always know where you are on a chord! Then the player should practice Chord Melody by changing connection improvising chord. Good exercise is to start on the lowest Note and Keep going up step-wise (full and half-tones) via two chords (one bar each, repeatedly), then when you get to the highest note, reverse and go down. You can also do the same using arpeggios. Over time, your mind will constitute a picture where a particular chord and scale is located at fingerboard of your document.

When C7 chord, which requires each part of the neck will look like the chord C7-all sounds chord and scale positions will be displayed as if in the mind of a chord melodies are colored and other sounds of scale are a different color. You want all 12 chromatic notes that curbing our scale chord-chord tones become passing tones and modified the note. Note the root (c) designation of the planet and everything is in different orbits around it. Remember that the player uses scales and arpeggios improvise scale and arpeggios is not using the user. They are the raw material for the melody, but the player is to mold the material, rather than simply learning launch rapid passages. 12 string guitar, you don't need to pause for breath, like say players trumpet-but this does not mean some space should not be introduced into Your game.

David Widelock – guitarist, that would be very like it, if you visit its web site
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